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Cat No
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NICK GARRIE
THE NIGHTMARE OF J.B. STANISLAS

This release from Tapete now includes numerous bonus tracks, rare photograph and extensive liner notes.
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Mcgee, Kirsty & The Hobopop Collective
The Deafening Sound Of Stars

Hobopop
CD
HPCD012
5029385849399
11 Oct 19

SINGER/SONGWRITER
Description:
'Rich, versatile and immaculately controlled' - Americana UK 'Bewitching, exquisite and skeletal' - Q
Over the course of 18 years, Kirsty McGee's songwriting and performing has taken her through 13 countries and from the Arctic to the Mojave desert. It's a fitting journey which doubtless helped create her self coined definition of 'hobopop' - music with no fixed home. Citing influences such as Louis Armstrong, Lhasa De Sela and Sister Rosetta Tharpe, as well as a love for the Great American Songbook, Kirsty is 7 albums into her career having forged links and collaborations along the way with luminaries like veteran producer John Wood and New York jazz legend Marc Ribot. In 2007 she formed her own label Hobopop Recordings, releasing the Americana-tinged Kansas Sessions in 2008. It was from this album that her song Sandman was featured in Danny Boyle's film, Trance (2013). Kirsty and long-term collaborator Mat Martin formed the band The Hobopop Collective in 2009. Featuring guests from a cross section of musical fields, band members have included Nick Blacka and Rob Turner of Bluenote-signed Go Go Penguin, Karine Polwart, Inge Thomson, Nick Walters and Christopher Cundy.
Drawing on old vinyl blues, gospel, '30s jazz, Brechtian ballads and Brill Building sensibilities, Kirsty eschews the lures of genre stereotyping. Constantly striving for new and inspirational backdrops for her soundscapes, The Deafening Sound Of Stars sees the release of 14 new songs as well as a limited edition 'sister' record of field recordings made in Italy last summer. Kirsty began writing the album in a caravan in the Mojave desert in the autumn of 2015, planning to make a series of field recordings inspired by jazz standards. A first attempt to record the songs was made in Arctic Norway in January 2018 and this was followed up by a second pass in Italy later that year. 'We recorded live and without air conditioning in the swamp heat of a humid August. Two days in a wooden cellar by a church whose bells chimed twice on the hour and once at half past, later in a fifteenth century church in the Italian mountains where I kept cool by placing my feet on freezer blocks and sang whilst being feasted on by mosquitoes in 40 degree heat.' Recorded in Leeds UK, the final incarnation of the album features Kirsty's full band that includes players from Beats & Pieces Big Band, Richard Hawley's band and arrangements inspired by Mulatu Astatke and Tom Waits. The bigger arrangements create an album that's cinematic in its musical scope and that delights in exploring musical colour, shape and form.
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